The Defacement of Racist Statues Is a Renegotiation of Power

An interview with art curator Chaédria LaBouvier

Morgan Jerkins
ZORA

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A photo of a vandalized statue of King Leopold II in Belgium. It is covered in red paint and graffiti.
A vandalized statue of King Leopold II in Belgium. The statue was vandalized in early June — and several times in the past in Ghent — and was removed on June 30, 2020. Photo: Jonathan Raa/NurPhoto/Getty Images

Ever since the George Floyd protests have rippled across the world, we have been experiencing reckonings with the past and present on a daily basis. Whether it’s networks removing blackface episodes, executives resigning after allegations of racism and silencing in the workplace, or white people losing their jobs due to their predatory natures on Black and Brown people caught on film, each news report holds a mirror to what marginalized people have been whispering behind closed doors for years.

But another interesting element to this historical moment is the tearing down of statues that are happening around the globe. In Belgium, a statue of King Leopold II, who committed genocide against millions of Africans in the Congo, was vandalized and eventually taken down. In England, a statue of Edward Colston, a slave trader and shareholder of the Royal African Company, was toppled and thrown into a river by local citizens. In America, several states from coast to coast reported statues of Confederate soldiers, slave traders, and colonizers either vandalized, toppled, or officially removed.

We spoke with Chaédria LaBouvier, the first Black creator and first Black woman to curate an exhibition at the Guggenheim Museum…

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Morgan Jerkins
ZORA
Writer for

Morgan Jerkins is the Senior Editor at ZORA and a New York Times bestselling author. Her debut novel, “Caul Baby,” will be published by Harper in April 2021.