Left to right: Jaqueline Malagón (Sonido La Dama), Mari Aco (La China de Otumba), Javita Perez (Sonido Fiesta Bacana), Marisol Mendoza Gomez and Viridiana Fuentes (Sonido Cataleya). Mendoza founded Musas Sonideras in 2017 to bring together the small population of women playing music in Mexico’s sonidero scene. Photos: Alicia Vera

Meet the Women Smashing Mexico’s Male-Dominated DJ Scene

Musas Sonideras may not be as well-known as their male counterparts, but they are making waves with fans and skeptics alike

Madeleine Wattenbarger
ZORA
Published in
10 min readMar 12, 2020

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MMarisol Mendoza takes to the DJ booth in a personalized black-and-purple windbreaker. Her name, embroidered in bright block letters, adorns the right arm, and the left arm displays the flags of Colombia, Puerto Rico, and Cuba — three of the most iconic producers of tropical music. The back of Mendoza’s jacket flashes with several other embroidered logos, the most eye-catching a yellow-lined silhouette of a woman holding a microphone above bright pink letters featuring the name of the all-female music collective that Mendoza founded and runs: Musas Sonideras.

Mendoza is representing Musas Sonideras tonight along with another woman known as Sol Salsita. They’re playing music in the white-walled hall of SOMA, an art school in Mexico City’s upper-middle-class neighborhood of San Pedro de los Pinos. As they prepare to play, a chant arises from the crowd: “Musas! Musas!” They start off their set with a cumbia hit, “Oye Mujer.”

It’s not the typical crowd for musicians like the Musas, who represent the sonidero musical tradition born in Mexico City’s working-class neighborhoods in the 1950s. A sonido

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ZORA
ZORA

Published in ZORA

A publication from Medium that centers the stories, poetry, essays and thoughts of women of color.

Madeleine Wattenbarger
Madeleine Wattenbarger

Written by Madeleine Wattenbarger

Journalist & writer, Mexico City. Human rights, politics, cities, culture. http://www.m-watt.com.

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