Janelle Monáe: ‘Antebellum’ Is a ‘Kick in the Stomach’ to White Supremacy

Monáe explains why she took on this tough role and how Black women can care for ourselves amid trauma

Aramide Tinubu
ZORA

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Janelle Monáe in ‘Antebellum.’
Janelle Monáe in ‘Antebellum.’ Photos: Lionsgate

Making Gerard Bush and Christopher Renz’s Antebellum was always going to be a challenge. Films set in the plantation South press against open wounds that are still present in the 21st century. The film follows Veronica Henley (Janelle Monáe), a race scholar who finds herself trapped in a horrific dream where she lives out her days as an enslaved woman named Eden living in the Civil War period.

Haunting and brutal scenes from the period are juxtaposed against the picturesque Southern landscapes in direct contrast to the late 19th century’s reality. Antebellum is a mind-bending narrative that presents the country’s racial horrors as they truly are and what Black women, in particular, have had to endure for survival.

Monáe’s spellbinding performance as a woman caught between two worlds has never been more timely at a moment when everything for Black people is at stake. It’s a searing reminder that our stories must be told in all of their vast nuances, no matter how painful they might be.

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ZORA
ZORA

Published in ZORA

A publication from Medium that centers the stories, poetry, essays and thoughts of women of color.

Aramide Tinubu
Aramide Tinubu

Written by Aramide Tinubu

Aramide Tinubu is a NYC-based film critic & writer. She wrote her master’s thesis on Black Girlhood and Parental Loss. Find her at awordwitharamide.com.

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