Country Music Is Nothing Without Black Artists

Fifty years after Linda Martell’s ‘Color Me Country,’ current singers discuss her legacy

Andrea Williams
ZORA

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A black and white portrait of Linda Martell.
Linda Martell. Photo: Michael Ochs Archives/Getty Images

InIn 1969, Charley Pride scored his first number one on the country charts, proving, once and for all, that a Black man could be successful in the White world of country music. With hopes of replicating his triumphs, Linda Martell quite literally stepped onto country music’s stage that same year, when she walked into the Ryman Auditorium and became the first Black woman to play the Grand Ole Opry.

Born in 1941 in Leesville, South Carolina, Martell grew up singing in the church, and brought congregations to their feet with her buttery vocals. Even then, the influences of gospel, blues, and folk swirled inside of her the same way they did in country music itself.

In 1970, Martell released her debut album, Color Me Country, and her lead single, “Color Him Father,” rose to number 22 on the U.S. country charts. But just as quickly as her star seemed to rise, it faded into obscurity. Martell would later say that family obligations caused her to trade in the bright lights of Music City for the anonymity of Leesville. But those who know Nashville and the country music industry suspect that there was much more at play. After all, Martell was signed to Plantation Records and made…

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